Étiquette : Philosophy
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The Relevance and untimeliness of Richard Wagner’s Work: From the Pathological to Guilt, by Marta Vigano & Guilhem Chameyrat
I am delighted to present here a philosophical research article, co-authored with Marta Vigano, on the interpretation and reception of Wagner’s work. It is the result of research carried out as part of a philosophy seminar at Sorbonne University. ABSTRACTThe aim of our research is to examine the philosophical implications, first of all, of a…
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From One Aesthetic Paradigm to Another: Towards a Dual Dimension of Authenticity? The Case of the Interpretation of Art Music.
On 23 June, I defended my philosophy research dissertation at Sorbonne University, entitled From One Aesthetic Paradigm to Another: Towards a Dual Dimension of Authenticity? The Case of the Interpretation of Art Music. The mémoire is available in full (120 pages) in French on the ‘Research’ page of the website. However, I am providing here…
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« Musical interpretation as creation »: an interview with Guilhem Chameyrat, founder of Sofronichrist media
Edgar Degas, L’orchestre de l’opéra (1870), 56,5 x 46 cm, Paris, Musée d’Orsay Here are some translated excerpts from an interview I gave in French to Hélène Macaire, from the podcast ‘Business as an exciting work of art’. I discuss the possible philosophical implications (I hope) that arise when studying the phenomenon of musical interpretation, and…
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No fear of the dark: what we, classical music listeners, have in common with heavy metal (and what heavy metal owes to classical music)
The German sociologist Harmut Rosa, director of the Max-Weber-Kolleg in Erfurt, heir to the prestigious and renowned Frankfurt School – where, at the instigation of Horkheimer and Adorno, critical theory was born, a method aimed at including the discoveries and advances of sociology in contemporary philosophy – recently published No fear of the dark, subtitled…