On 23 June, I defended my philosophy research dissertation at Sorbonne University, entitled From One Aesthetic Paradigm to Another: Towards a Dual Dimension of Authenticity? The Case of the Interpretation of Art Music. The mémoire is available in full (120 pages) in French on the ‘Research’ page of the website. However, I am providing here a summary (30 pages) in English (which is relatively detailed, although it does not contain musical examples as found in the full text). I hope it will inspire some reflection, and you are welcome to suggest further avenues of exploration.
From One Aesthetic Paradigm to Another: Towards a Dual Dimension of Authenticity? The Case of the Interpretation of Art Music.

From one aesthetic paradigm to another, towards a dual interpretation of authenticity? The case of the interpretation of art music (Guilhem Chameyrat, 2026)Télécharger

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