Étiquette : Bernstein
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Towards an affective dimension of phenomenal authenticity: from sympathy to empathy in the interpretative gesture in art music
Jean Siméon Chardin, Les attributs de la musique civile (1767), 122 x 144 cm, Musée du Louvre, Paris. I would like to offer a supplement to my memoire, which has been available since June this year and which concluded with a quasi-aporetic attempt to propose an ethics of interpretation. Quasi-aporetic, because it was formulated in…