Auteur : Guilhem Chameyrat
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Masaaki Suzuki conducts the greatest German Requiem since the Golden Age

Masaaki Suzuki conducting the German Requiem. Miku Yasukawa, Jochen Kupfer, the Bach Collegium Japan. And a masterpiece. Suzuki and the Bach Collegium Japan have already produced a Mass in B Minor of sublime lightness, a Johannes Passion of total commitment – recorded live in Köln -, without doubt the most beautiful Christmas Oratorio ever recorded,…
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Brillant Classics gives a vibrant tribute to the art of Sergio Fiorentino

‘He is the only other pianist’, said Arturo Benedetti Michelangeli. This April 2025, Brillant Classics is devoting an extremely exhaustive edition – 26 CDs – to the legacy of one of the greatest Italian pianists of the twentieth century. Having devoted most of his career to teaching, Sergio Fiorentino (1927-1998) was recorded mainly at the…
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Wagnerian musical drama in the orchestra, the virtues of lightness

It is true, Wagner past his conductor life a to make the adversary of Mendelssohn, apostle of an approach all in vivacity and light tempi. No, Wagner was not an advocate of fast tempi, any more than he was an advocate of lightness. But what Wagner wanted above all was to place singing at the…
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Yunchan Lim at the Philharmonie de Paris, the committed ascent of the Goldberg Variations

When Yunchan Lim walks through the backstage door, he strides towards the piano, surrounded by a bluish halo. Waiting for the audience to fall completely silent, the young prodigy enters into the intimacy of …round and velvety-smooth blend… composed by his compatriot Hanurij Lee. The balance is perfect, the bass extremely powerful, everything resonates in…
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Celibidache conducts Bruckner in Munich: two previously unreleased live recordings

The Münchner Philharmoniker label recently released two Brucknerian recordings by maestro Sergiu Celibidache. As is well known, the osmosis born in 1979 from the Romanian conductor’s encounter with what was to become ‘his’ orchestra, the one through which he would finally be able to implement his precepts and aesthetic conceptions, saw the emergence of an…
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Furtwängler conducts Brahms, on December 12th, 1943

A few months ago, in November, I realised a video study for the Wilhelm Furtwängler Society on Furtwangler’s relationship with the music of Brahms. The Society then asked me to write the booklet (originally in French, translated into English by Susannah Howe) for an extraordinary product: the concert of 12 December 1943, magnificently restored by…
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Two theoretical approaches (and a number of problems)

Jean Baptiste Siméon Chardin, Les Attributs de la musique (1765), Paris, Musée du Louvre Table of content Introduction Theoretical errors and the (attempted) historical situation of these approaches About the composition itslef Perception is primarily sensible: the contingent nature of interpretation (and the dangers of a dogmatic approach) When an interpreter takes an interest in…
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50 versions of Schumann’s Fantasy

Schumann’s Fantasy is a work truly apart in the composer’s oeuvre. It is perhaps the least illustrative and the least programmatic of the composer’s works, but the most contemplative as well as the most passionate. Composed in two distinct phases – first the first movement, to be played with intensity and passion, composed for Clara,…
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My favorite 2024 recordings

What records will you remember from 2024? Which ones made a particular impression on me, and which ones will go down in history? Here’s a brief overview of the recording year that’s just gone by, backed up by reviews and personal opinions – all subjective, of course! Let’s start with the new pianistic releases. Maurizio…

