Étiquette : French piano
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Alfred Cortot commenting Beethoven’s Moonlight Sonata

On 13th January 1958 and 4th June 1959, Alfred Cortot recorded this commentary on Beethoven’s Moonlight sonata, Op.27 No.2. In the order of the article, the French transcription is presented, followed by the English translation. The Masterclass with the commentary in French Original version / Transcription originale en français Sonate Quasia una fantasia, Opus 27…
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The art of Dinu Lipatti

Liveliness is an essential characteristic of Lipatti’s playing. With the Romanian pianist, time never seems to stand still. At first, there is something calmer, without being frozen – which would be in contradiction with the moving and temporal character of the music. Some performers place their interpretations in a moment as if out of time…
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The art of Marcelle Meyer

When we try to identify a form of « French piano tradition » – which is sometimes already debatable – we often tend to speak of « pearl playing ». Marcelle Meyer’s style lies in a way of linking this pearled playing to an extraordinary expressive power, with notably an infinite palette of nuances in the high notes and…
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Alfred Cortot commenting Beethoven’s Pathetique Sonata
At the École Normale de Musique de Paris, on 11 January 1958, 3 May 1959, 13 and 14 June 1960, Alfred Cortot recorded this commentary with musical examples explaining Beethoven’s ‘Pathétique’ Sonata. Here is the transcription.First, here is the original version, the English version is available just below. The Masterclass with the commentary in French…
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Alfred Cortot masterclass on Beethoven’s Appassionata ( transcribed and translated by Bruno Pancek & Roy Howat )

At the École Normale de Musique de Paris, on 21 and 24 march 1958 and 8 June 1959, Alfred Cortot recorded this commentary with musical examples explaining Beethoven’s ‘Appassionata’ Sonata. Here is the English transcription by Bruno Pancek and Roy Howat. Special thanks to Inbar Rothschild. 10’-16’Beethoven himself has given the interpreter (on this fabulous…
