Catégorie : Opera
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The identity of a choreographic work put to the test by French technique and the Vaganova method
French version, following by the english one L’identité d’une œuvre chorégraphique à l’épreuve de la technique française et de la méthode Vaganova. Par Mihn Mabut « Alors que je ne cherche qu’à offrir le meilleur spectacle possible […] il m’arrive souvent d’introduire quelques nouvelles combinaisons de pirouettes ou des sauts que je juge plus impressionnants que…
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My favorite 2025 recordings
What records will you remember from 2025? Which ones made a particular impression on me, and which ones will go down in history? Here’s a brief overview of the recording year that’s just gone by, backed up by reviews and personal opinions – all subjective, of course! Let’s start with the piano. Yunchan Lim has…
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Wagnerian musical drama in the orchestra, the virtues of lightness
It is true, Wagner past his conductor life a to make the adversary of Mendelssohn, apostle of an approach all in vivacity and light tempi. No, Wagner was not an advocate of fast tempi, any more than he was an advocate of lightness. But what Wagner wanted above all was to place singing at the…
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